10 Best Movie Character Themed Songs


Film scores are essential to the experience of a film. They can determine emotion and mood as well as give the audience clues to aspects of the story itself, alerting the audience to details they might have otherwise missed. Both main titles and emotional underlines do this, but one of the most vital parts of a film score is the character theme.

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These plays depict the characters’ inner thoughts, feelings, and desires, most of which are never allowed to speak. Character themes are often the best-known parts of film music. These songs are often the piece that becomes beloved and iconic due to their embodiment of character.

ten Jaw’s main theme redefined the meaning of danger (Jaws)

Perhaps the most iconic character theme of all time belongs to one of the scariest villains to ever grace the big screen: the shark of Jaws. The two opening notes of “Jaw’s Main Theme” have become some of the best known in history. Sometimes simplicity is key.

The rapid oscillation between the E and F notes that begins this piece is representative of a hunting shark. Its flipper swaying back and forth matched the rhythm of the notes. The piece intensifies with a quick, easy-to-miss explosion of the D note, which indicates the sudden bite of the shark. Now synonymous with imminent danger, “Jaw’s Main Theme” perfectly illustrates a shark attack, much to the terror and delight of viewers.

9 “Jobu Tupaki” is not trustworthy in his chaos (everything everywhere at the same time)

Chaos is a word that can describe Everything everywhere all at once almost better than the title itself. This description can also be applied to the film’s antagonist, Jobu Tupaki, and it can be applied even more to the theme of the character.

Completely devoid of rhythm or melody, “Jobu Tupaki” uses electronic experimentation. The electric guitar, vocals and bells illustrate the other world of Jobu Tupaki herself. The randomness of the piece matches Jobu Tupaki’s unpredictability perfectly, creating a sense of unease in the listener. Jobu Tupaki is not to be trusted, and neither is his theme.

8 “Davy Jones” is bittersweet melancholy (Pirates of the Caribbean: Dead Man’s Chest)

The Pirates of the Caribbean The score has been hailed by critics and viewers alike since the first film was released in 2003. However, perhaps one of the most iconic pieces belongs to the second film’s villain. Filled with melancholic longing and grim determination, “Davy Jones” perfectly captures the character’s emotions and drive.

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Played diegetically at first on a simple music box, the tune is quickly superimposed on the film’s string crescendo and Davy Jones’ organ playing. Jones longs for both her former lover and her lost heart. His meanness turns into sadness, however, and makes his theme a beautiful description of his character.

seven “The Imperial March” is practically synonymous with evil (Star Wars: A New Hope)

Perhaps the most iconic villain theme of all time is that of Darth Vader, the villain of the original. star wars trilogy. “The Imperial March”, revealed alongside Vader, instantly helped make an iconic character in 1977.

Filled with loud horns, loud drumbeats and choppy strings, “The Imperial March” is brimming with anger and purpose. The rhythm of the piece resembles a march, which fits perfectly with Vader’s strategies and the use of the soldiers. “The Imperial March” is perhaps more associated with Darth Vader than anything else relating to the character, and it’s impossible to separate Vader from the theme.

6 “Dreaming” is just as whimsical as Coraline herself (Coraline)

Coraline is well known for its animation, horror elements, and quirky main character. Even still, the score manages to stand out from the rest of the pack, and the Coraline theme particularly shines.

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Filled with brave strings and eerie, whispery vocalizations, “Dreaming” manages to exemplify the dreamy, whimsical quality of Coraline and her story. The bridge is a sleepy, almost hallucinogenic melody, illustrating Coraline’s nocturnal visits to the Otherworld. The rest of the song is sharp and curious, evolving with Coraline’s constant exploration. The piece is perfect for Coraline, and the film and the character spring to mind for viewers as soon as those first notes play.

Few traditional film scores venture into the world of the electric guitar, but the X-Men: First Class the soundtrack uses it brilliantly. Set in a soundtrack otherwise filled with soft chords and heroic swells of music, Magneto’s theme stands out with its gritty sound and wicked overtones.

“Magneto” uses strings and electric guitar to create a crisp, intimidating sound that’s perfect for Erik and his villainous transformation. This theme plays at the very end of the movie after Magneto dons his signature blood red helmet and very clearly outlines his future plans for villainy. “Magneto” is inspired by heavy metal and the public asks for more as the film plays.

4 “Raiders March” defines the feeling of adventure (Raiders Of The Lost Ark)

John Williams is the composer of an incredible number of iconic film scores and themes, but perhaps the best known is the piece he wrote for IndianaJones. Dubbing both the title and the character’s theme, “Raiders March” has stuck in viewers’ heads since its first theatrical release in 1981.

“Raiders March” perfectly encapsulates the feeling of adventure. Filled with playful flutes, string instruments, a booming drum beat and a romantic, swooning melody, this piece captures the essence of character and The Raiders of the Lost Ark Perfectly.

3 “The King” is as powerful as Amleth’s desire for revenge (The Northman)

Like many Robert Eggers films, The man from the north is a film like no other. His score is no exception. Filled with traditional Viking instruments as well as new styles of composition, The man from the north has no trouble constructing a score perfectly suited to its vengeful protagonist.

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Amleth’s theme, aptly named “The King”, first plays when Amleth is shown as an adult. The piece is powerful and heavy, using dark strings and a slow, rhythmic drumbeat to underscore Amleth’s determination. Brief vocalizations and horns help illustrate the primal nature of the character, as well as placing the audience directly into the world of the Vikings.

2 The Prowler invokes primal fear in audiences (Spider-Man: Into The Spider-Verse)

The Prowler is the secondary villain of the beloved animated film Spider-Man: Into the Spider-Versewhich is widely regarded as one of the best Spider Man movies never made. Part of the credit for that reputation goes to the film’s fantastic soundtrack, which excels when it comes to character themes.

“The Prowler” is hair-raising and loud, creating a sense of dread in viewers that rivals even the most terrifying horror soundtracks. An unnatural, scream-like sound cuts through the frenetic strings and rapid rhythm, weaving in an adrenaline-filled sound perfect for a chase scene. This theme helps the Prowler become the menacing villain that he is, letting the audience know that this is a man they should run from.

1 Briony uses unconventional materials to tell a story (Atonement)

At the 2007 Oscars, Atonement walked away with a win: Best Original Score. It was a well deserved reward; AtonementThe score is incredibly unique in its ability to weave together story and song. The film’s opening and its main character Briony’s theme, aptly titled “Briony”, is a great example of this.

The first thing heard before anything else is the sound of a typewriter. The tap-tap-tap of this one fits into a layered string and piano arrangement, which is quick and curious in tone. It not only represents Briony’s love for writing and storytelling, but begins Atonement with a spellbinding example of his score.

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